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Jānis Tilbergs, also known as Tillbergs or Tilberg ((ラトビア語:Jānis Roberts Tilbergs), (ロシア語:Янис Тилберг, ''Yanis Tilberg'')); ( – 7 November 1972) was a Latvian artist, painter and sculptor. He is most renowned as a highly accomplished portraitist. == Career == From 1901 to 1909 Tilbergs studied under Dmitry Kardovsky in the Imperial Academy of Arts in Saint Petersburg, then the capital of the Russian Empire. Tilbergs graduated the Riga School of Art studying with Dimitriyev Kaukazska, then went on to complete his Master's degree at the St. Petersburg Art Academy in 1909, studying there with D. Kardovska, submitting as his masterwork "Pietà".〔Samsons, V. et al. ''Latvijas PSR Mazā Enciklopēdija (Concise Latvian S.S.R. Encyclopedia) 3rd ed. Vol. III''. Riga, Latvia: Zinatne. 1970.〕 His artwork appeared in publication already in 1904 in the journal ''Austrums'' where he illustrated A. Niedra's story ''Bads un Mīlestība'' (Hunger and Love), and he went on to illustrate a number of other books. He was the graphic designer for the satircal journal ''Svari'',〔〔(''Latvijas Avīze'' website )〕 published in St. Petersburg and Riga;〔 as well, he illustrated for the Russian journals ''Serij Volk'' and ''Novaja Rusj''. Tilbergs helped organize and exhibited at the first Latvian art exhibition of 1910.〔 Over his career, he exhibited at various international venues (Denmark, Sweden, Norway, France, England, et al.) as an ambassador of Latvian art and in one man shows in Riga (1934, 1960) and Tallinn (1961). Following the 1917 Russian Revolution Tilbergs took part in Lenin's monumental propaganda program that called for the creation of the "Revolutionary monumental art", construction of the monuments to the revolutionaries and the "progressive artists of all times and nations".〔 (Монументальная пропаганда ), Great Soviet Encyclopedia.〕 Tilbergs' plaster monument to Taras Shevchenko (pictured), the greatest Ukrainian poet, artist and humanist, was dedicated on 1 December 1918. This first ever Shevchenko monument was not later replaced by the bronze version, as was originally planned, and was dismantled in eight years as the plaster deteriorated in open air. Tilbergs became a professor in the Latvian Academy of Arts in Riga where he taught a Figural Painting Master class in 1921–1932. He authored several designs of the coins minted in the interwar Latvia. The Latvian lats coins struck in 1924–1926 carried the palm branch design by Tilbergs, a motive popular in Europe at the time.〔(Latvian Money ), at the Bank of Latvia (web-site ).〕 In academia Tilbergs was considered a master of the salon portrait and his portraits of Rainis (Janis Plieksans), a great Latvian writer, and Eduards Smiļģis, a famous Latvian theatrical producer, are exhibited in the Latvian National Museum of Art. In Academy Tilbergs insisted on his students staying strictly within the academic canons of realism and was even considered despotic while his school was criticized for being too academic and lacking improvisation.〔Ruta Lapina, (The Exhibition "Teachers of painting at the Latvian Academy of Art 1920–1940 )〕 In 1932 Tilbergs' class in Academia was taken over by Gederts Eliass. In 1936 he painted a new altar for the historic Sigulda church.〔, Sigulda regional (web-portal ).〕 Tilbergs return to the Academia in the post-World War II Soviet Latvia and remained a professor there from 1947 to 1957. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Jānis Tilbergs」の詳細全文を読む スポンサード リンク
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